2009년 9월 27일 일요일

September 21st : Transition to Renaissance

Early Renaissance

1. Giotto, ‘Crucifixion’, Scrovegni (Arena) Chapel, Padua, 1305, Fresco
- More realistic, more 3 dimensional
- Early form of perspective : Giotto used atmosheric perspective in this painting.
- This painting was revolutionary at that time since most artists were still sticking with Byzantine Style
- no more gold used.
*Atmospheric Perspective : A method of showing distance by variating colour and clarity.
Renaissance
Renaissance means 're-birth'
All the ancient knowledge that were brought back from other countries during the Crusades, re-inspired people, leading them to the age of Renaissance.


2. Raphael, ‘School of Athens’, Vatican, Rome, 1509-11, Fresco
- Classical Style
-No religious elements or imagery
- Raphael himself in the painting shows role of art at that time.
-Linear perspective
* Humanism :
-After the outbreak of Black Plague
-Interest in humanity
-A worldview focused on human beings
-Interest in life on earth. but this doesn't mean that religion was ignored.


3. Jan van Eyck, ‘Man in a Red Turban’, 1443, Oil on wood panel (in frame)
-Extreme Detail
-SIGNED : shows importance and confidence of the artist. Signing on an art piece was very revolutionary at that time.



4. Donatello, “David”, 1446-60, Bronze, Florence, 5’

-not the heroic nudity : shown as a boy
-the Di Medici family was involved - patrons of art
Differences between Northern Renaissance and Southern Renaissance
Northern Renaissance :
-Northern Europe
-Naturalism
-Vivid colour (Jewel colour)
-Incredible detail achieved through the use of oil ,



van Eyck, ‘Arnolfini Wedding Portrait’, 1434, Oil on wood panel
-candle means presence of god
-there is a mirror and 10 miniture medalions around it. Reflection of the witnesses can be seen in the mirror, and each medalion have different painting on it. : Extreme detail
-the lady is not pregnant
Southern Renaissance :
-Italy
-Idealism


Leonardo Da Vinci, “Mona Lisa”, 1503, Louvre Museum

-No jewerlery
-Background gives mysterious feeling
-Chiarosicuro : a tecnique used by Leonardo Da Vinci
-



The Black Plague: resulted in social mobility, emergence of middle class, shift to a more secular (separate from religion) views, emergence of humanism, etc.

The Crusades: contact with other cultures, exposure to lost classical texts, exposure to advanced learning systems (universities), etc

Byzantine Art : artistic products of the Byzantine Empire from about the 4th century until the Fall of Constantinople in 1453.

High Renaissance :
The High Renaissance means the culmination of the art of the Italian Renaissance generally toward the end of the 15th c. and early part of the 16th century

Humanism:
an interest in humanity, your life on earth, interests apart from religion, a worldview that focused on human beings, an education that perfected individuals through the study of past models of civic and person virtue,, personal effort and responsibility

September 14 Lecture journal : Ancient to Renaissance





Idealism



Discus Thrower, Myron, 485 - 425 BCE


-Plato's Philosophy
-Idealism was practed by anciet greeks in art
-Perfect form and structure




Naturalism

Aphrodite of Cnidus’, Roman copy of original by 4thC. Praxiteles
-Aristotle's philosophy
- Naturalism was practiced by late greeks in art
-depicts things as they are




Byzantine



Upper : Court of Justinian, c.547, Church of San Vitale, Ravenna
Bottom : an image of Virgin Mary and Christ in Byzantine period
-No perspective
- Elongated figure
-Loss of realism
-Gold Background
- Flat
- Awkward position
- Exaggerated gestures




Eurocentrism




Mona Lisa, Leonardo Da Vinci, 1503

-Viewing the world in european perspective
-Believes in superiority of European




realism: realism/illusionism: images that resemble the look of real bodies in 3-dimensional space.

Naturalism : how well an image depicted particular aspects of the natural world

Idealism : artists should focus on the ideal, the representation of a subject that was perfect in symmetry and proportion.

Eurocentrism: the practice of viewing the world from a European perspective with an implied belief, either consciously or subconsciously, in the pre-eminence of European.

The ‘Canon’: in art, the body of rules, principles, or standards accepted as obvious and universally binding.